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 Charles J. Connick (1875-1945) at work
Stained Glass Windows Recall Men and Women Who Shaped St. John’s
In addition to their required function, the various furnishings and liturgical appointments that fill our church are tangible links to our history and to those who helped shape who we are as a parish today. Among the most beautiful and most cherished of these are the stained glass windows. Over the next months, The Good News Extra will highlight each window and offer a glimpse into its origins.
The windows in the nave recall significant events in the life of Christ. They are arranged in chronological order, beginning on the north side (left side, if facing the altar). The first window, "The Annunciation," was given in memory of Marie Antoinette Powell Evans (1841-1908). The second window, "The Nativity," was given in memory of Dr. James Evans (1831-1909), Marie Evans' husband.
Dr. James Evans (1831-1909) was an active member and vestryman (1890-1895) of St. John’s, serving as junior warden from 1897-1907 and as senior warden from 1908-1909. He was a surveyor for the Cheraw and Darlington Railroad and, later, a medical doctor. He also served in the Confederate Army. Dr. Evans was chairman of the committee that sought - and achieved in 1888 - the establishment of the county of Florence. He met and married Marie Antoinette Powell in Richmond, Virginia.
We know of Dr. Evans’ contributions to the parish and community thanks to Nick Zeigler’s Refugees and Remnants . We also know that Dr. and Mrs. Evans’ daughter, Nettie, organized St. John’s first vested choir during the Rev. Robert Barnwell’s term as rector (Zeigler, p. 171). Daughter Jane Beverly Evans (1866-1950) became a state official in the League for Women’s Service. Son James D. Evans, Jr. served on St. John’s vestry from 1911-1916 and again in 1919. What of Mrs. Evans, in whose memory "The Annunciation" window was given? She was a member of St. John’s Ladies Aid Society (forerunner of the ECW) which history indicates was a most active and proactive organization. In 1882, the Ladies Aid Society requested the vestry’s approval to build a new church. The resulting committee, "St. John’s Church Building Society," was comprised of Mrs. E.H. Hunter, Mrs. C.E. Jarrott, Miss Sarah Schouboe, and Mrs. James Evans. The ladies’ fundraising efforts included sewing projects, circulation of literature, assorted festivals, a production of H.M.S. Pinafore, and several shrewd investments. These efforts, together with a gift from Mrs. Frances Church, purchased the lot upon which St. John’s present building sits. (Zeigler, pp. 145-146) Beyond this, there is no specific information available about Mrs. Evans. The activities of the Ladies Aid Society during her time do suggest, however, a woman who was devoted to her parish and gave greatly of her time and talent to its growth and well-being.
The third window, “The Baptism in the Jordan,” was given in memory of Bishop Bell White Howe (1823-1894), the first missioner to St. John’s. Bishop Howe was born in New Hampshire and moved to South Carolina in 1845. He was ordained a deacon in 1847 and priest in 1849. He served as assistant, then rector of St. John’s, Berkeley; assistant, then rector of St. Philip’s, Charleston. At the beginning of the Civil War, Howe’s family moved to Mars Bluff for safety, but Howe stayed in Charleston, conducting services at St. Paul’s, St. Philip’s, St. Michael’s, and Grace churches until Charleston came under occupation. Zeigler writes that Bishop Howe, “expelled from Charleston by Federal forces in March 1865, came as a refugee to join his family in Mars Bluff. He, along with other refugees from the besieged and devastated coastal area, banded together in the nearby village of Florence to form the first Episcopal congregation there.” (Zeigler, p. 1)
Continuing around the nave, we next come to The Good Shepherd window, which was given in memory of William Alexander Guerry, rector of St. John’s (1888-1893) and Bishop of South Carolina (1908-1928).
Bishop Guerry was the nephew of the Reverend Mr. Walter C. Guerry, who was appointed to the as-yet-unnamed Florence mission in July 1867, and son of the Reverend Legrand F. Guerry, who assumed the mission in November 1867 following his brother’s death from typhoid fever. St. John’s was the only parish of which W.A. Guerry was rector before being elected as the eighth Bishop of South Carolina. Guerry was a deacon when he was appointed to St. John’s and was ordained to the priesthood during the first service held in the present church building (December 22, 1889). The completion of the building - and retiring the debt incurred to do so - was one of the chief accomplishments of his term as rector.
Guerry became a bishop while The Reverend Harold Thomas was rector of St. John’s. He was first elected as Bishop Coadjutor (May 1907) and then succeeded Bishop Capers upon Capers’ death in 1908. He wrote in his journals about the taxing nature of his frequent visits to Florence, noting the many area missions at which he preached and confirmed and the record number of confirmations over which he presided at St. John’s.
On June 5, 1928, Bishop Guerry was shot by The Reverend J.H. Woodward in Guerry’s office at St. Philip’s, Charleston. Speculation at the time was that Woodward was suffering from dementia and paranoia. There is no available information to indicate Woodward’s connection to Guerry. Immediately after the event, Woodward shot himself and died soon after. Upon learning of his death, Guerry is reported to have said, “Poor Woodward; pray for him.” Bishop Guerry died on June 9, 1928; he is buried in the West Church Yard at St. Phillip's.
The Light of the World window was given in memory of Arthur Melville Lucas (1855-?) and Cornelia Kingman Lucas. The window depicts Jesus healing the blind man, the artist’s representation of the appellation “Christ, the light of the world” (John 8:12). The artist’s signature and date (Charles J. Connick, 1939) is in the lower right hand corner of the window.
Arthur Melville Lucas, son of Simons Lucas and Anne Elizabeth Shackelford, served on the vestry in 1875 and signed the petition to have St. John’s incorporated, along with fellow vestrymen Joseph W. Gamble, Theodore S. Gaillard, Edward H. Lucas, Simons Lucas, A.E. Lucas, S.E. Lucas, Edward H. Mellichamp, W.L. Mellichamp, and Charles E. Jarrott. The parish was incorporated on December 3, 1875. Arthur and Cornelia Lucas moved to Atlanta in 1885.
The Lucas family was a founding family of St. John’s and continues to be very much a part of parish life. Many family connections exist within our current congregation, the most direct of which is Marion DuBois Lucas, grandson of Edward Henry Lucas (1848-1908). Upon being contacted for this article, Mr. Lucas related that Arthur Melville Lucas, Jr., was Paramount’s movie distributor for the southeast. He gave the Light of the World window in memory of his parents. Marion and Finley Lucas’ son, Marion D. Lucas, III, was ordained a priest in 1987 and now serves as associate rector at the Church of the Epiphany in Herndon, Virginia.
The last three stained glass windows in the nave that round out the pivotal events in the life of Christ are titled: Christ Blesses Little Children, The Transfiguration, and The Resurrection.
Christ Blesses Little Children was given in memory of Alexander Lewis Sessoms. Mr. Sessoms (1867-1935) was an official in the Atlantic Coast Line shops. At the beginning of his tenure as rector, the Rev. Harold Thomas established a mission in east Florence near the Atlantic Coast Line Railroad station. The mission, named St. Timothy’s, reached out to the employees of the railroad. Mr. Sessoms was senior warden of St. Timothy’s in 1903. He also served on the vestry of St. John’s from 1900-1901 and again in 1922.
The Transfiguration window was given in memory of Dell Smith Williams (1861-1938). Information about this one-time parishioner could not be found.
A member of the Lucas family was honored again with The Resurrection window. Edward Henry Lucas (1848-1908) is remembered through this window. Mr. Lucas operated a general store in Florence, served on the vestry (1868-1869, 1871, 1874-1881, 1884-1892), and - along with other men of the parish - helped build St. John’s first church building (corner of Coit and Darlington streets). Edward Henry Lucas was a son of Simons Lucas and Anne Elizabeth Shackleford. In 1869, he married Mary Irene Guerry, sister of Walter and Legrand Guerry (former deacon and rector, respectively, of St. John’s). After her death in 1871, he married Caroline Deas Ravenel. Many of Edward Henry Lucas’ descendents are members of St. John’s today and continue their ancestors’ tradition of service to parish and community.
Turning our attention to the windows in the vestibule, the influence of the Lucas family continues to be reflected. The Three Marys was given in memory of Caroline Deas Ravenel Lucas (1859-1940). Mrs. Lucas was the daughter of Henry William Ravenel, a famed botanist. Caroline and Edward Henry Lucas had eleven children, including Marion D. Lucas, Susan Stevens Lucas Wilkinson (Jack Wilkinson’s mother), Caroline Ravenel Lucas Miller (Caroline Matthews’ mother), Simons Ravenel Lucas (Maitland and John Chase’s grandfather).
The Honorable Robert W. Sharkey (1889-1973) chaired the committee charged with commissioning the windows. Sharkey served as senior warden at St. John’s (1919-1920, 1948), was a member of the Standing Committee and Diocesan Council, and was chairman of the American Red Cross in Florence. When he first moved to Florence, Sharkey was employed by the law firm of Willcox and Willcox as secretary to Frederick L. Willcox. In 1929, he was appointed the first judge of the Civil Court of Florence (Zeigler, p. 204).


Edward Henry Lucas (1848-1908) and Caroline Ravenel Lucas (1859-1940).
Photographs courtesy of Caroline Ravenel Miller Matthews.
The vestibule's west window, The Phoenix, was given by E.N. “Nick” Zeigler, Jr., in memory of his grandfather, Belton O’Neall Townsend (1855-1891). The phoenix is born from its ashes; thus it represents Christ in his resurrection from death.
In his brief life, Townsend made lasting contributions to his town and parish. Born in Bennettsville, Townsend attended St. David’s Academy in Society Hill and graduated from South Carolina College at the age of eighteen. He was the only member of the class of 1873. Townsend wrote a series of articles about conditions in South Carolina and the 1876 election, which he sent to William Dean Howells, editor of the Atlantic Monthly. They were published in the February, April, and June 1877 issues of the magazine. Another article which he had sent to Howells appeared in the October 14, 1876 issue of the New York Tribune. These articles were published anonymously because Townsend’s observations were so critical of the attitudes of white southerners that it was considered dangerous to make his identity known. In 1883, against the advice of Howells - who told Townsend that his real talent was prose reporting, not poetry - he published a volume of poetry entitled Plantation Lays. The work earned a scathing review from Mark Twain; even his grandson, Nick Zeigler, calls it “mediocre.” Townsend desired to be a journalist and a poet, but - to appease his father, Benjamin D. Townsend (1815-1885) - he became a lawyer and opened a practice in Florence in 1878.
In Florence: A Renaissance Spirit, Nick Zeigler wrote that “Townsend was short in both stature and temper. He had a quick wit and was fond of satire. A political broadside which he wrote during the municipal election in 1879, in rhyming couplets, indicates that he had a deep contempt for the sort of politics being practiced in the town.”
In the 1870s, Townsend developed a practice of loaning books from his law office to colleagues and friends. This gave rise to the first library in Florence. Active in civic affairs, he served as a performer in the musicals and plays that were held to raise money for the Library and Monument Association, as a captain in the Florence Rifles, as organizer and leader of the Hope Fire Company, and as a 32nd-degree Mason. He was also an active member and vestryman (1879-1884) of St. John’s. He, along with fellow parishioner Dr. James Evans, was one of the strongest proponents of the movement to create Florence County. He dreamed of a Florence with a cosmopolitan character, separate from its identity as a railroad town, and published a pamphlet entitled Why the Proposed NEW COUNTY of Florence Should Be Established, which contained the strongest and most influential arguments in favor of the formation of Florence County.
When St. John’s began efforts to raise money to build the present church, Townsend was at the forefront of fundraising activities. Readers may recall that one of the more memorable fundraising events was a production of Gilbert and Sullivan’s H.M.S. Pinafore. Townsend sponsored the production. When the Ladies Aid Society purchased the land for the building, the title was placed in his name until the balance was paid and the property transferred by deed to St. John’s vestry.
In 1883, Townsend ran against another parishioner, William H. Day (1842-1928), for the office of intendant of the Town of Florence. In Refugees and Remnants, Zeigler writes that the race was “a bitterly contested election which had the aspect of a ‘town’ versus ‘rail’ encounter.” Day was master car builder in the railroad shops and was considered the most influential railroad man in Florence during the last 30 years of the nineteenth century.
Townsend died in a house fire in February 1891. His widow, Leah McClenaghan, remarried and, as Mrs. Daniel M. McEachin (1865-1945), was prominent in civic work after his death.
All of the windows were made by Charles J. Connick of Connick Studios in Boston. They were commissioned in 1939 in celebration of the 50th anniversary of the construction of the church building. With the exception of The Light of the World window, there is no information in the available church records to indicate who gave the windows. However, thanks to the discovery of the bulletin for the window dedication, we know that they were dedicated on Sunday, June 26, 1949 at the 11:15 service. The Rev. Louis Haskell was rector at the time.
(to be continued)
| "If churches are made radiant and beautiful places of worship, we can have a spiritual regeneration without anyone knowing what is going on. Beauty can preach as very few men with bundles of words can preach. I want to make beautiful interiors for both churches and souls. I want people to hear my windows singing." (Charles J. Connick) |
Last Published: March 22, 2007 4:29 PM
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Forward in Faith:
Time Line for Progress
1865
St. John’s founded (classroom and hotel)
1867
St. John’s Mission founded
1871
First church building consecrated at Darlington and Coit streets
1886
Extensively damaged by earthquake; abandoned building; services held above a store at Evans and Dargan streets
1887
Became a self-supporting parish
1889 – December
present building occupied
1890
Present building completed
1922
Parish Hall built as memorial to Mrs. Frances Church
1957
Parish founded All Saints’ Mission
1966
Church building renovated, additions to parish hall, education wing
1972
O’Dowd Building completed
1986
Extensive repairs and renovation to parish hall and church house
1990
Several phases of Marvin Plan begun
1992
Greenberg property purchased; most of revised Marvin Plan completed
1994
Further property swaps and purchases
1995
Sunday School wing renovated with additions and improvements
1996
Plans for master plan for campus begun
1997 – 1998
Major church reinforcement & electrical improvements
1998
Purchase of McLeod property including Youth Building
1999
Bell tower, bells, and entranceway/hallway completed
2000
Forward in Faith Capital Campaign begun
2002
Completion and dedication of new buildings, renovations and parking
2004
Dedication of new chapel
2005
Completion of Kathy Dargan Garden
2006
Garden furniture acquired
Final property purchase made
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